A charismatic soloist, dynamic chamber musician, dedicated teacher, artistic director, and published writer, South Korean violinist Jinjoo Cho is a versatile classical virtuoso of the 21st Century. 1st Prize Winner of the International Violin Competition of Indianapolis and Concours musical international de Montréal in addition to Buenos Aires, Schoenfeld, and Stulberg Competitions, Jinjoo has toured on concert stages around the world since the age of 11. Today, she continues to perform at distinguished concert halls and festivals including the Carnegie Hall’s Stern Auditorium, Aspen Music Festival, Gilmore Festival, La Jolla Music Society’s Summerfest (USA), Banff Centre, Festival de Lanaudière (Canada), La Seine Musicale, Aigues-Vives Music Festival (France), Kronberg Academy, Schwetzingen Festspiele, Herkulessaal (Germany), Teatro Colón (Argentina), and Seoul Arts Center (Korea).
Jinjoo appears as soloist with leading orchestras such as The Cleveland Orchestra, Orchestre symphonique de Montréal, Deutsche Radio Philharmonic, Orquesta Clásica Santa Cecilia de Madrid, Ensemble Appassionato, Seoul Philharmonic, North Carolina, Phoenix, and Charlotte Symphonies, collaborating with renowned conductors such as James Gaffigan, Kent Nagano, JoAnn Falletta, Mathieu Herzog, Peter Oundjian, Michael Stern, Tito Munoz, Michael Francis, Moritz Gnann, Karina Canellakis, Shi-Yeon Sung, Pietari Inkinen, and Clemens Schuldt. As a chamber musician, Jinjoo has shared the stage with prominent artists of the globe such as Vadim Gluzman, Itamar Golan, Roger Tapping, Jaime Laredo, Sharon Robinson, Clive Greensmith, and Ettore Causa. In 2021, Jinjoo formed Trio Seoul with pianist Kyu Yeon Kim and cellist Brannon Cho.
Jinjoo is the founding Artistic Director of ENCORE Chamber Music Institute (501(c)(3)non-profit) and an Assistant Professor of Violin at the Schulich School of Music at McGill University. She previously served as faculty at the Cleveland Institute of Music and Oberlin Conservatory. Most recently, Jinjoo has been invited as a jury member at important international competitions such as the Indianapolis (USA, 2022) and Schoenfeld (China, 2024) competitions, and as a screening committee member of the Montréal (Canada, 2019/2023) and Premio Paganini (Italy, 2023) competitions. Jinjoo’s dedication to nurturing the next generation of young musicians stems directly from the influence of her teachers Paul Kantor and Jaime Laredo.
Jinjoo is deeply passionate about sharing her love of music, in whatever form that it takes. Her creative explorations range from commissioning new works by composers Juri Seo and Andrew Rindfleisch to collaborating with artists of other disciplines including choreographer Jinyeob Cha. A consummate recording artist, Jinjoo has produced 4 albums: Saint-Saëns (2021, Naïve Classique), La Capricieuse (2020, SONY Classical), The Indianapolis Commissions (2018, Azica), and Jinjoo Cho (2007, Analekta). Described as “a delectable curtain-raiser” (Strad Magazine) and “finest silk thread of a violin tone” (Rondo Magazine), the albums have garnered critical acclaim worldwide as well as commercial success. In 2021, Jinjoo’s first book, Would I Shine Someday, was listed as a best seller on major book platforms in Korea.
Introducing Emerald TV.
OUR ON-DEMAND DIGITAL CHANNEL will NOT ONLY GIVE YOU ACCESS TO WATCH OUR performances ONLINE, BUT also PRIORITY access TO LIVE Wine Down Monday's, DISCOUNTED RATES for Mainstage concerts, AND MUCH MORE!
Placeholder: Our product is priced to be affordable, so we don't give any discounts. We already offer our product at a competitive price.
Placeholder: No, we don't force you into any long-term contracts. Our best price is available as an annual subscription, but we offer monthly subscriptions as well.
Placeholder: We accept online payments through Visa, MasterCard, and American Express. If you don't have a credit card, we accept checks, PayPal (you must have a PayPal account), and wire transfers. To arrange offline payments, or if you have any questions, please contact our sales team.
Placeholder: During this time we found that our smallest customers accounted for a significant amount of our support resources. We have changed our pricing structure so that we can better meet the needs of all our customers.