What is music? When is sound considered music? This program explores the answers to these obscure questions through works that dissolve the boundaries between silence, gesture, dance, and theater. John Cage’s 4’33” reframes listening itself, while Vinko Globokar’s ?Corporel transforms the performer’s body into both instrument and stage. Marin Marais’s Les folies d’Espagne anchors the program in Baroque variation and dance, leading into Mauricio Kagel’s Serenade, which satirically reimagines classical performance conventions through theatrical invention.